ARTIST STATEMENT

I think of my visual work as unfinished inventories of fragments: photographs, sounds, objects and other inventions related to the human being and its environment. They are improvisational and narrative sites, in which the compositions are used to question our making of the world through a language and knowledge based on a new stage of life, as the intrinsic mirroring of the pandemic with deep experiences when social distancing and isolation measures. My work invites the viewer to an audiovisual journey into a space of reflection and speculation. The work thus has used the frame of the architecture and nature to propose a secret history of modernity, and in the process point to stereotypes of differences, which are hidden in plain sight. I have found the histories of minimalism, urbanism and surrealism to be useful in the composition ideas. The pieces I make are placed in the canon of modernist art, in hopes of making visible what is overlooked in the historicising of the artist. The project has always been grounded in urbanism, the interaction between human being as core of its community with its surrounding and aesthetics. Some of my latest photographic series are featured in the London’s art magazine ARCCA as part of a collaboration called “Wrong Data, Empty Space” with an artist from Budapest, Kristoflab.